- Format: Closed-captioned, Color, DVD, Special Edition, Widescreen, NTSC
- Language: English.
- Actors: Billy Crystal, Meg Ryan, Carrie Fisher, Bruno Kirby, Steven Ford
- Region: Region 1 (U.S. and Canada only).
- Aspect Ratio: 1.85:1.
Neigborhood bookstore rivals unwittingly become e-mail pen pals in this charming remake of The Shop Around the CornerBy now, Tom Hanks and Meg Ryan have amassed such a fund of goodwill with moviegoers that any new onscreen pairing brings nearly reflexive smiles. In
You've Got Mail, the quintessential boy and girl next door repeat the tentative romantic crescendo that made
Sleepless in Seattle, writer-director Nora Ephron's previous excursion with the duo, a massive hit. The prospective couple do actually meet face to face early on, but
Mail otherwise repeats the earlier feature's gentle, extended tease of saving its ! romantic resolution until the final, gauzy shot.
The underlying narrative is an even more old-fashioned romantic pas de deux that is casually hooked to a newfangled device. The script, cowritten by the director and her sister, Delia Ephron, updates and relocates the Ernst Lubitsch classic, The Shop Around the Corner, to contemporary Manhattan, where Joe Fox (Hanks) is a cheerfully rapacious merchant whose chain of book superstores is gobbling up smaller, more specialized shops such as the children's bookstore owned by Kathleen Kelly (Ryan). Their lives run in close parallel in the same idealized neighborhood, yet they first meet anonymously, online, where they gradually nurture a warm, even intimate correspondence. As they begin to wonder whether this e-mail flirtation might lead them to be soul mates, however, they meet and clash over their colliding business fortunes.
It's no small testament to the two stars that we wind up liking and caring about them de! spite the inevitable (and highly manipulative) arc of the plot! . Althou gh their chemistry transcended the consciously improbable romantic premise of Sleepless, enabling director Ephron to attain a kind of amorous soufflé, this time around there's a slow leak that considerably deflates the affair. Less credulous viewers will challenge Joe's logic in prolonging the concealment of his online identity from Kathleen, and may shake their heads at Ephron's reinvention of Manhattan as a spotless, sun-dappled wonderland where everybody lives in million-dollar apartments and color coordinates their wardrobes for cocktail parties. --Sam SutherlandBy now, Tom Hanks and Meg Ryan have amassed such a fund of goodwill with moviegoers that any new onscreen pairing brings nearly reflexive smiles. In You've Got Mail, the quintessential boy and girl next door repeat the tentative romantic crescendo that made Sleepless in Seattle, writer-director Nora Ephron's previous excursion with the duo, a massive hit. The prospective couple do act! ually meet face to face early on, but Mail otherwise repeats the earlier feature's gentle, extended tease of saving its romantic resolution until the final, gauzy shot.
The underlying narrative is an even more old-fashioned romantic pas de deux that is casually hooked to a newfangled device. The script, cowritten by the director and her sister, Delia Ephron, updates and relocates the Ernst Lubitsch classic, The Shop Around the Corner, to contemporary Manhattan, where Joe Fox (Hanks) is a cheerfully rapacious merchant whose chain of book superstores is gobbling up smaller, more specialized shops such as the children's bookstore owned by Kathleen Kelly (Ryan). Their lives run in close parallel in the same idealized neighborhood, yet they first meet anonymously, online, where they gradually nurture a warm, even intimate correspondence. As they begin to wonder whether this e-mail flirtation might lead them to be soul mates, however, they meet and clash over the! ir colliding business fortunes.
It's no small testament to ! the two stars that we wind up liking and caring about them despite the inevitable (and highly manipulative) arc of the plot. Although their chemistry transcended the consciously improbable romantic premise of Sleepless, enabling director Ephron to attain a kind of amorous soufflé, this time around there's a slow leak that considerably deflates the affair. Less credulous viewers will challenge Joe's logic in prolonging the concealment of his online identity from Kathleen, and may shake their heads at Ephron's reinvention of Manhattan as a spotless, sun-dappled wonderland where everybody lives in million-dollar apartments and color coordinates their wardrobes for cocktail parties. --Sam SutherlandTwo of Hollywood's hottest stars, Meg Ryan (SLEEPLESS IN SEATTLE) and Andy Garcia (THE GODFATHER, PART III), deliver critically acclaimed performances in this inspiring motion picture hit. As Alice and Michael, Ryan and Garcia are a passionate couple whose once-stable marriage ! is rocked by her increasing dependence on alcohol. As they strive to overcome this challenge, they discover a renewed sense of love and commitment. Sparked by hope and ignited by riveting star performances, WHEN A MAN LOVES A WOMAN is the must-see hit of the year -- a story of fiery passion -- and the enduring power of love.When a Man Loves a Woman is a dumb title (not another classic pop song, please) for a very smart movie. A kind of gender-switch take on The Lost Weekend, it's about a woman (Meg Ryan) whose alcoholism almost destroys her family. That may sound like just another TV movie, but When a Man Loves a Woman is so authentic in detail and emotion, that everything about it seems fresh, urgent, and engrossing. That's because the film is grounded in the actual experience of co-writer Al Franken (assisted by Rain Man scripter Ronald Bass). Franken is best known for his affiliation with Saturday Night Live and Politically In! correct, and as the author of Rush Limbaugh Is a Big Fa! t Idiot, and Other Observations. You may recall that Franken is the creator of Stuart Smalley, 12-step programmer extraordinaire. Well, if you want to know how Stuart was born, you can start here. This is no comedy, however. In fact, one of the most painful realizations comes when attractive, "good-time girl" Alice Green (Ryan) and her husband (Andy Garcia) begin to realize how much of a role alcohol played in their marriage and in bringing them together in the first place. The issues and experiences confronted in this movie go far beyond the stuff you see on Oprah. --Jim Emerson Meg Ryan (YOU'VE GOT MAIL) and Hugh Jackman (X-MEN) are paired as star-crossed lovers who discover that passion and chivalry never go out of style! When a rip in time brings together a charming 19th century bachelor and a thoroughly 21st century woman, the potential for an old-fashioned modern romance ignites! Also starring Breckin Meyer (ROAD TRIP) and Liev Schreiber (SCREAM 3).Hokey but ! heartfelt, Kate & Leopold revitalizes an old idea, and amiable casting makes this romantic fantasy work almost in spite of itself. Knowing that he'd be risking comparison to Time After Time and Somewhere in Time if he delved too deeply into time travel, director James Mangold (Girl, Interrupted) briefly introduces an elusive "time portal," then wisely skirts the issue altogether. Instead, he focuses on kismet, etiquette, and fading traditions of chivalry as bachelor Duke Leopold of Albany (Hugh Jackman) is accidentally swept from 1876 to present-day 2001. Adjusting to the shock of his temporal displacement, he falls in love with Manhattan executive Kate (Meg Ryan), whose ex-boyfriend (Liev Schreiber) is Leopold's great-great-grandson. But Leo can't stay in the future, and this breezy comedy proves yet again that time is no barrier when true love is involved. Hardly original, but Ryan's doing what she does best, making Kate & Leopold a bona! -fide crowd pleaser--past, present, and future. --Jeff Shan! non "Brimming over with style, intelligence and flashing wit" (Rolling Stone), this "splendid and irresistible" (Los Angeles Times) film from director Rob Reiner(American President is one of the best-loved romantic comedies of all time. Featuring dazzling performances from Meg Ryan, Billy Crystal, Carrie Fisher and Bruno Kirby, exceptional music from Harry Connick Jr., and an OscarÂ(r)-nominated* screenplay by Nora Ephron, When Harry Met Sally is an "explosively funny" commentary on friendship, courtships - and other hardships - of the modern age (Newsweek)! Will sex ruin a perfect relationship between a man and a woman? that's what Harry (Crystal) and Sally (Ryan) debate during their travels from Chicago to New York. And eleven years and later, they're still no closer to finding the answer. Will these two best friends ever accept that they're meant for each other...or will they continue to deny the attraction that's existed since the first moment When Harry Met Sally? *1989N! ora Ephron wrote the brisk screenplay for this 1989 romantic comedy, director Rob Reiner made a nicely glossy New York story (very much in a Woody Allen vein) out of it, and Billy Crystal's unstoppable charm made it something really special. Crystal and Meg Ryan play longtime platonic friends who keep dancing around their deeper feelings for one another, and Bruno Kirby and Carrie Fisher are their respective pals who fall in love and get married. Ryan doesn't get a lot of funny material, but her performance is typically alive and intuitive, and she more than holds her own with Crystal's comic motor mouth and sweet sentimentality. Reiner is on comfortable ground, liberated from the burden of making serious statements in the lead-footed manner of subsequent features. --Tom Keogh
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