The conduct of a married life. Laid down in a series of letters, written by the Honourable Juliana-Susannah Seymour, to a young lady, her relation, lately married.

• ISBN13: 9781140918516
• Condition: New
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, incl! uding city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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British Library

T119297

Juliana-Susannah Seymour = John Hill. Nine leaves signed *H1-9 have been inserted; text is continuous.

London : printed for R. Baldwin, 1753. vi,1-144,145*-162*,145-257,[1]p. ; 12°

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Lying

• LYING (DVD MOVIE)

BROWN BUNNY - DVD MovieAfter its scandalous screening at the 2004 Cannes film festival, Vincent Gallo's The Brown Bunny was cut from 118 to 92 minutes, and that made all the difference. The film that critic and long-time Cannes attendee Roger Ebert originally called "the worst film in the history of the festival" was transformed, by Gallo's judicious editing, into a perfectly acceptable if not universally respected art-house curio, widely criticized yet ripe for cult status, able to stand beside Gallo's Buffalo 66 as the work of a genuine artist with a singular vision. Yes, that vision is self-indulgent, narcissistic, and likely to turn off a majority of viewers with its glacial pace and endless shots of Gallo driving, driving, and driving some more. But in portraying a melancholy motorcycle racer who drives cross-country while mourning a private loss that rema! ins secret until the final scenes, Gallo gives us a character, and a film, that feels spiritually akin to such early '70s classics as Five Easy Pieces and Two-Lane Blacktop. It's a flawed yet ultimately moving example of maverick, unconventional cinema, and while Chloe Sevigny's explicit oral sex scene with Gallo is completely unnecessary, it's just one more element that places The Brown Bunny firmly, and refreshingly, out of the mainstream. --Jeff ShannonWhen a long weekend brings four women together in the countryside, each of them is forced to navigate the depths of social interaction as virtual strangers. How well do we really know the friends we make in adulthood? And in an age of lies, what can be made of the person who tells untruths so small they serve no obvious purpose?

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