Thursday, November 10, 2011

Breakfast at Tiffany's: A Short Novel and Three Stories (Modern Library)

  • ISBN13: 9780679600855
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Winner of two Oscars®, here's the romantic comedy that sparkles like diamonds! From the opening strains of Henry Mancini and Johnny Mercer's haunting, Oscar®-winning song "Moon River," you'll once again be under the alluring spell of that madcap, carefree New York playgirl known as Holly Golightly (Audrey Hepburn) in this 24-carat romantic comedy based on Truman Capote's best-selling novella. George Peppard is the struggling and "sponsored" young writer who finds himself swept into Holly's dizzying, delightfully unstructured lifestyle as she determinedly scours Manhattan for a suitable millionaire to marry. The sparkling special features on this Anniversary Edition DVD only add to the luster of direc! tor Blake Edwards' timeless film classic. Patricia Neal, Buddy Ebsen, Martin Balsam and Mickey Rooney co-star; Mancini won an additional Academy Award® for his enthralling musical score. No film better utilizes Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vuln! erability. Composer Henry Mancini earned Oscars for the hit so! ng "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean Axmaker“I’m crazy about Tiffany’s...Nothing very bad could happen to you there!” For the first time ever, this meticulously restored screen gem is available on Blu-ray™. Holly Golightly (Audrey Hepburn) delights audiences as the carefree ingénue searching Manhattan for a dream millionaire to marry. George Peppard plays the struggling, “sponsored” young writer who gets swept away in Holly’s chaotic-yet-enchanting lifestyle. Directed by Blake Edwards (The Pink Pant! her, Victor/Victoria), this two-time Oscar®-winning film features Henry Mancini’s honored score*, as well as his and Johnny Mercer’s Academy Award®-winning song, “Moon River.”

*Winner: Best Music â€" Music Score of a Dramatic or Comedy Picture, 1961. Winner: Best Music (Song), 1961.No film better utilizes Audrey Hepburn's flighty charm and svelte beautythan this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George ! Axelrod turn New York into a city of lovers and create a poig! nant por trait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean AxmakerAUDREY HEPBURN STARS AS HOLLY GOLIGHTLY, THE BEAUTIFUL, IF ECCENTRIC NEW YORK PLAYGIRL WHO WON'T LET ANYTHING INTERFERE WITH HER PLANS TO MARRY A MILLIONAIRE, NOT EVEN A ROMANCE WITH NEW NEIGHBOR GEORGE PEPPARD.No film better utilizes Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's! novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weather! ed the decades well. Edwards's elegant yet light touch, Axelro! d's gene rous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean AxmakerMovie DVDBreakfast at Tiffany's
No film better utilizes Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrate! d romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean Axmaker

Roman Holiday
Maybe it doesn't quite live up to its sterling reputation, and maybe the leading man and director were slightly miscast. But who cares? Roman Holiday is the film that brought Audrey Hepburn to prominence, and the world movie audience went weak at the knees. The endlessly charming Hepburn had her first starring role in this sweet r! omance, playing a European princess on an official tour throug! h Rome. Frustrated by her lack of connection to the real world, she slips away from her protective handlers and goes on a spree, aided by a tough-guy news reporter (Gregory Peck). Director William Wyler, more at home with such heavy-going, Oscar-winning classics as The Best Years of Our Lives and Ben- Hur, doesn't always keep the champagne bubbles afloat, and the Peck role would have fit Cary Grant like a silk glove. But the film is great fun, the location shooting is irresistible, and Hepburn embodies an image of chic style that would rule for the rest of the fifties. No coincidence: she won an Oscar, and so did veteran costume designer Edith Head. --Robert Horton

Sabrina
Audrey Hepburn is the delightful young Sabrina, the daughter of a chauffeur who is hopelessly in love with David Larrabee (William Holden), the playboy younger son in the rich Long Island household her father works for. In order to help her forget her woes, Sabrina is shipped of! f to cooking school in Paris. While there, she befriends a baron who provides a bit of culture--and the encouragement to snip off her childlike ponytail. Upon her return to New York, Sabrina is transformed into a sophisticated woman, and David is entranced by her. However, his older brother Linus (Humphrey Bogart) has arranged David's marriage to Elizabeth Tyson in order to seal a business merger and thus must steer David away from Sabrina. To do this, Linus takes on the task of wooing her for himself. Full of great dialogue ("A woman happy in love, she burns the soufflé; a woman unhappy in love, she forgets to turn on the oven") and wonderful performances, this film is a romantic masterpiece. Also enjoyable is the 1995 remake, starring Julia Ormond and Harrison Ford. --Jenny BrownContains:

Breakfast at Tiffany's
House of Flowers
A Diamond Guitar
A Christmas Memory

Domestic Disturbance : Widescreen Edition

  • Widescreen
Frank Morrison finds out that there is more than meets the eye when it comes to his son's new step-father and does all he can to make sure that his son is safe and stays alive.
Genre: Suspense
Rating: PG13
Release Date: 16-APR-2002
Media Type: DVDDVD

House of Sand and Fog

  • ISBN13: 9780393338119
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The National Book Award finalist, Oprah Book Club pick, #1 New York Times bestseller and basis for the Oscar-nominated motion picture.

A former colonel in the Iranian Air Force yearns to restore his family's dignity. A recovering alcoholic and addict down on her luck struggles to hold on to the one thing she has left. And her lover, a married cop, is driven to extremes to win her love.

In this masterpiece of American realism and Shakespearean consequence, Andre Dubus III's unforgettable charactersâ€"people with ordinary flaws, looking for a small piece of ground to stand onâ€"careen toward inevitable conflict, their tragedy painting a shockingly true pi! cture of the country we live in today.Oprah Book Club® Selection, November 2000: Andre Dubus III wastes no time in capturing the dark side of the immigrant experience in America at the end of the 20th century. House of Sand and Fog opens with a highway crew composed of several nationalities picking up litter on a hot California summer day. Massoud Amir Behrani, a former colonel in the Iranian military under the Shah, reflects on his job-search efforts since arriving in the U.S. four years before: "I have spent hundreds of dollars copying my credentials; I have worn my French suits and my Italian shoes to hand-deliver my qualifications; I have waited and then called back after the correct waiting time; but there is nothing." The father of two, Behrani has spent most of the money he brought with him from Iran on an apartment and furnishings that are too expensive, desperately trying to keep up appearances in order to enhance his daughter's chance! s of making a good marriage. Now the daughter is married, and ! on impu lse he sinks his remaining funds into a house he buys at auction, thus unwittingly putting himself and his family on a trajectory to disaster. The house, it seems, once belonged to Kathy Nicolo, a self-destructive alcoholic who wants it back. What starts out as a legal tussle soon escalates into a personal confrontation--with dire results.

Dubus tells his tragic tale from the viewpoints of the two main adversaries, Behrani and Kathy. To both of them, the house represents something more than just a place to live. For the colonel, it is a foot in the door of the American dream; for Kathy, a reminder of a kinder, gentler past. In prose that is simple yet evocative, House of Sand and Fog builds to its inevitable denouement, one that is painfully dark but unfailingly honest. --Alix Wilber

Philips All Region Multi Region Code Free Zone Free Hi-Def 1080p Up-Converting DVD Player with Divx, USB. Plays PAL/NTSC DVD's (Free TAMZ HDMI Cable Exclusive From PVCS) - 110-220 Volts For Worldwide Use - (Free LiteFuze Europe Plug Adapter)

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Golden Globe winner and Academy Award nominee Natalie Portman (Closer, V for Vendetta) stars as Rebecca, an American living in Jerusalem who moments after breaking off her engagement, jumps into a cab driven by Hanna, a strong-willed, charismatic Israeli woman. Hanna is on her way to Jordan, to an ungoverned e! conomic free zone of shady business transactions bordered by Syria, Iraq and Saudi Arabia.

Looking for a quick "escape", Rebecca convinces Hanna to take her along and the two set off to see "the American," a mysterious businessman that owes Hanna's husband money. But when Hanna and Rebecca reach his office, they are confronted by Leila, a Palestinian who tells Hanna that "the American" and the money are missing.

Determined not to leave the Free Zone without her husband's debt paid, Hanna forces Leila to join her - with Rebecca tagging along - and the three woman begin their search. Soon the relationship between them turns into an emotional solidarity that will affect each of their lives forever.An ambitious film with both political and emotional agendas, Free Zone stars Natalie Portman as an American woman living in Jerusalem whose quest for adventure and escape leads to serious consequences. Rebecca (Portman), newlyt broken up with her fianc! é, has a chance encounter with a cab driver named Hanna (play! ed by Ha nna Laslo, who won best actress at the Cannes Film Festival for her work in this film) finds Rebecca accompanying her to the Free Zone--a tax-free area in northeast Jordan--so Hanna can collect money from a businessman who owes her husband. Instead of finding the businessman, they encounter a mysterious Palestinian woman who joins them on their journey. It would be too easy to write this film off as a politically tinged Thelma & Louise. As the women argue about Israeli-Palestinian issues, we sense that there is imminent danger. And that suspense ultimately carries more impact than the dialogue, which is well intentioned but often misguided. Portman is gorgeous and does a fine job emoting (and crying), but this is really Laslo's movie. Appropriately passionate and stoic, she adds dignity (and at times humor) to a film that is thought provoking, but flawed. --Jae-Ha KimDVD Player with 1080p HDMI Upscaling and Multimedia DivX gives you sharper, clear pictures and ! the Progressive Scan doubles the vertical resolution of the image resulting in a noticeably sharper picture. Whatever you're watching, and on any TV, Screen Fit ensures that the picture fills the whole screen. And it includes DivX media format that is an MPEG-4 based video compression technology enabling you to save large files like movies, trailers and music videos on media like CD-R/RW and DVD recordable disc for playback on your DivX Ultra Certified Philips device. DivX Ultra combines DivX playback with great features like integrated subtitles, multiple audio languages, multiple tracks and menus into one convenient file format.

Dear Wendy

  • Directed by Thomas Vinterberg (The Celebration) and written by Lars von Trier (Dogville), Dear Wendy is an audacious and stylish exploration of guns and violence in America. When a young loner named Dick (Jamie Bell) discovers a vintage handgun, he finds himself strangely drawn to it in spite of his pacifist views. Soon he forms a secret club with other misfits in his town who collect and revere a
Directed by Thomas Vinterberg (The Celebration) and written by Lars von Trier (Dogville), Dear Wendy is an audacious and stylish exploration of guns and violence in America. When a young loner named Dick (Jamie Bell) discovers a vintage handgun, he finds himself strangely drawn to it in spite of his pacifist views. Soon he forms a secret club with other misfits in his town who collect and revere antique guns and refer to themselves as "The Dandies." But despite their firm belief in the most importan! t Dandy rule of all - "never draw your weapons" - they eventually discover that some rules are meant to be broken.

Gonzo: The Life and Work of Dr. Hunter S. Thompson

  • Directed by Oscar winner Alex Gibney (Taxi to the Dark Side and Enron: The Smartest Guys in the Room) and narrated by Johnny Depp, this Collector s Edition takes a probing look into the uncanny life of Dr. Hunter S. Thompson inventor of gonzo journalism and author of the landmark Fear and Loathing in Las Vegas. Format: DVD MOVIE Genre: DOCUMENTARIES Rating: R Age: 876964001
Oscar® winning director Alex Gibney presents a probing look into the uncanny life of Dr. Hunter S. Thompson inventor of gonzo journalism and author of the landmark Fear and Loathing in Las Vegas. Accompanied by an iconic soundtrack, this fast moving, wildly entertaining film addresses the major touchstones in Thompson s life from his intense and ill fated relationship with the Hell s Angels to his deep involvement in Senator George McGovern s 1972 presidential election.After Enron: The Smartest Guys in the Room ! and Taxi to the Dark Side, Hunter S. Thompson seems like an odd subject for Alex Gibney to take on. Unlike the Enron executives or Baghram guards, the gonzo journalist didn't bilk old ladies out of their savings or torture Iraqi citizens. Nonetheless, the director's follow-up to the Oscar-winning Taxi shares an interest in the uses and abuses of power. Gibney recounts the major biographical details, from birth to suicide, but his film really comes alive when he gets to the late-1960s. Though Thompson remains best known for Fear and Loathing in Las Vegas, Gonzo concentrates on his coverage of the 1968 and '72 presidential elections. The author was particularly excited about George McGovern, and chose advocacy over non-partisan reporting. McGovern, Pat Buchanan, Ralph Steadman, Rolling Stone editor Jann Wenner, and others testify to Thompson's enthusiasm for the South Dakota senator--and hatred for Nixon. Gibney argues that the fire started ! to die after Hunter witnessed the brutal treatment of proteste! rs at Ch icago’s Democratic Convention. Disillusionment led to an erosion of his talent and an escalation of his self-destructive tendencies. As Johnny Depp, who played him in Fear and Loathing, reads passages from his work, the doctor's friends and family provide a glimpse of the insecure man behind the brash image. Gibney's evenhanded depiction may disappoint true believers hoping for a glorified puff piece, but Thompson's ability to speak truth to power with wit and passion comes through loud and clear. --Kathleen C. Fennessy

Field of Dreams [VHS]

  • Kevin Costner
  • White Sox
  • Shoesless Joe
  • Liotta
  • Baseball



Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 107 minutes

A phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella,! who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now! become a mecca of sorts for dreamers around the world. --J! eff Shan nonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is no! t so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff Shannon“If you build it, he will come.” With these words, Iowa farmer Ray Kinsella (Kevin Costner) is inspired by a voice he can’t ignore to pursue a dream he can hardly believe. Also starring Ray Liotta,! James Earl Jones and Amy Madigan, Field of Dreams is an extra! ordinary and unforgettable experience that has moved critics and audiences like no other film of its generation. Field of Dreams is a glowing tribute to all who dare to dream.A phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the mi! ddle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1! 989, Field of Dreams has become a modern classic and ! a unique ly American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when s! pirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonUPC: 25192016622

Field of Dreams - BaseballA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation ! of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kins ella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory ! for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen! star, but the story resonates far beyond Costner's handsome a! ppeal. A s just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting a! udiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonAn Iowa farmer is inspired by a voice he cannot ignore to pursue a dream and turns his cornfield into a baseball field so that some baseball legends can come and play.
Genre: Feature Film-Drama
Rating: PG
Release Date: 23-AUG-2005
Media Type: DVDA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American! screen star, but the story resonates far beyond Costner's han! dsome ap peal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affe! cting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle o! f his cornfield. His wife (Amy Madigan) supports the wild idea! , but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely Americ! an slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, differing greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when s! pirits from baseball's past begin appearing on the ball field.! Past an d present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... but what all of this means is unclear until the film's memorably heartfelt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff ShannonA phenomenal hit when it was released in 1989, Field of Dreams has become a modern classic and a uniquely American slice of cinema. It functions effectively as a moving drama about the power of dreams, a fantasy ode to our national pastime, and a brilliant adaptation of W.P. Kinsella's exquisite baseball novel Shoeless Joe. Kinsella himself found the film a delightful surprise, dif! fering greatly from his novel but benefiting from its own creative variations. It is the film that cemented Kevin Costner's status as an all-American screen star, but the story resonates far beyond Costner's handsome appeal. As just about everyone knows by now, Costner stars as Iowa farmer Ray Kinsella, who hears the mysterious words "If you build it, he will come," and is compelled to build a baseball diamond in the middle of his cornfield. His wife (Amy Madigan) supports the wild idea, but a reclusive novelist (modeled after J.D. Salinger and played by James Earl Jones) is not so easily persuaded. The idealistic farmer is either a visionary or a deluded fool, but his persistence is rewarded when spirits from baseball's past begin appearing on the ball field. Past and present intermingle in the person of "Moonlight Graham" (superbly played by Burt Lancaster), an unknown player who sacrificed his dreams of baseball glory for a dignified life as a small-town physician ... bu! t what all of this means is unclear until the film's memorably! heartfe lt conclusion. A meditation on family, memory, and faith, the film balances humor and magic to strike just the right chord of thoughtful emotion, affecting audiences so deeply that the baseball field created for the production has now become a mecca of sorts for dreamers around the world. --Jeff Shannon

The Death of Mr. Lazarescu Poster Movie French 11x17 Doru Ana Monica Dean Alina Berzunteanu

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
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  • The Death of Mr. Lazarescu 11 x 17 Inches French Style A Mini Poster
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After mr. Lazarescu suffers terrible headaches he finally calls for an ambulance. Accompanied by medic mioara lazarescu begins his night-long journey through a variety of hospitals in search of proper medical care while a stressed society is laid bare and compassion and indifference clash. Studio: Genius Products Inc Release Date: 09/12/2006 Run time: 153 minutes Rating: RThis digital document is an article from Artforum International, published by Thomson Gale on April 1, 2006. The length of the article is 1719 words. The page length sh! own above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: As he lay dying: James Quandt on the Death of Mr. Lazarescu.(Movie review)
Author: James Quandt
Publication: Artforum International (Magazine/Journal)
Date: April 1, 2006
Publisher: Thomson Gale
Volume: 44 Issue: 8 Page: 81(2)

Article Type: Movie review

Distributed by Thomson GaleThis digital document is an article from Film Criticism, published by Allegheny College on December 22, 2010. The length of the article is 6217 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available imm! ediately after purchase. You can view it with any web browser.!

Citation Details
Title: "Lazarescu, come forth!": Cristi Puiu and the Miracle of Romanian Cinema.(The Death of Mr. Lazarescu)(Critical essay)
Author: Jeanine Teodorescu
Publication: Film Criticism (Magazine/Journal)
Date: December 22, 2010
Publisher: Allegheny College
Volume: 34 Issue: 2-3 Page: 51(16)

Article Type: Critical essay

Distributed by Gale, a part of Cengage LearningThe Death of Mr. Lazarescu reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm French Style A mini poster print

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