Color Me Kubrick

• John Malkovich gives a hilarious tour-de-force as Alan Conway, a conman who successfully passed himself off as the famed and notoriously reclusive director, Stanley Kubrick, for the last decade of the filmmaker's life, despite knowing very little about Kubrick. It'd be a farce of the highest order if it weren't based on a true story. Format: DVD MOVIE Genre: DRAMA Rating: NR Age

John Malkovich gives a hilarious tour-de-force as Alan Conway, a conman who successfully passed himself off as the famed and notoriously reclusive director, Stanley Kubrick, for the last decade of the filmmaker's life, despite knowing very little about Kubrick. It'd be a farce of the highest order if it weren't based on a true story.Color Me Kubrick tells the slyly amusing and "true-ish" story about a brazen impostor who pretended to be one of the world's greatest filmmakers. As British comedies go it's ! a bit of a trifle, but constantly enjoyable for cinephiles devoted to Stanley Kubrick and his films. In a foppishly flamboyant performance, John Malkovich dons a fab-ulously colorful wardrobe and uses a comical variety of voices as Alan Conway, an eccentrically gay outcast who spent most of the 1990s convincing his gullible targets that he was Stanley Kubrick, despite bearing no resemblance to the real Kubrick and knowing next to nothing about the director's celebrated films. Preying (with startling success) upon their ignorance and their fawning desire to seek favors from this "legendary filmmaker," Conway conned his mostly gay victims into giving him money, sex, and other kinds of ill-earned appreciation, and Color Me Kubrick (completed two years before its simultaneous release to theaters and DVD) does a terrific job of showing how Conway managed to maintain this charade for nearly a decade before he was "outed" by New York Times columnist Frank Rich! , whose own encounter with Conway would eventually lead to the! faux-Ku brick's undoing.

It's pretty slight stuff, as comedies go, but it boasts plenty of authority behind the camera: Both director Brian Cook and screenwriter Anthony Frewin were close associates of Kubrick's for decades, and they have terrific fun by peppering their film with a variety of Kubrickian in-jokes, from the frequent use of music featured in Kubrick's own films to a variety of visual in-jokes that Kubrick worshippers will instantly recognize. Add to this Malkovich's crazily unhindered performance, and you've got a nice little cult comedy that will keep you laughing if you're in the right mood. Keep your eyes wide open for cameo appearances by Marisa Berenson (who appeared in Kubrick's Barry Lyndon), Peter Sallis (the voice of Wallace in the Wallace and Gromit films), and director Ken Russell, among others. --Jeff Shannon

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Dolls

• Legendary director & actor Takeshi Kitano (Brother, The Blind Swordsman: Zatoichi) departs from his usual stylish gangster thrillers to present a masterpiece that is both artistic and moving. Bound by a long red cord, a young couple wanders in search of something they have tragically forgotten. An aging yakuza boss mysteriously returns to the park where he once met his long-past girlfriend. A disf

A mysterious drifter (Josh Hartnett) and a young Japanese Warrior Yoshi (Gackt) both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his seperate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil woodcutter and his lady Alexandra (Demi Moore), a femme fatale with a secre! t past.A mysterious drifter (Josh Hartnett) and a young Japanese warrior Yoshi (Gackt) both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his separate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil woodcutter and his lady Alexandra (Demi Moore), a femme fatale with a secret past.You think your childhood was rough? Check out the opening 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "Barbarian" part of the name. The film gets off to a ripping start, including li'l Conan's lethal dispatching of a crowd of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great deal of hoo-hah about the forging of sword! s. As the character grows into manhood, played by Jason Momoa ! (Game of Thrones), the cascade of brutality continues: boiling oil, nose trauma, death by metal fingernails--you name it, the movie has it. The "origin story" plot is a workable way into the world of pulp writer Robert E. Howard's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursues power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan is all spooky as Khalar's daughter (she's got the fingernails) and Rachel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech hardware for this relentless action picture, pumping up every sound with a digital whammy that might make your head feel it has been split in two by Conan's mighty sword (that is, if you didn't already feel that from the chaotic cutting--since the movie was originally released in uninspired 3-D, this visual! unpleasantness was enhanced in theaters). The movie's not a complete bust, but it is a fairly punishing experience. As for Momoa, he's got the pectorals, and generally comes across as a likable sort. Of course, Conan isn't supposed to be a likable sort, so his casting will likely trigger an unexpected response in viewers familiar with the 1982 version of the character. You will miss Arnold Schwarzenegger. --Robert HortonA naïve young man assumes a dead man's identity in order to join a underworld game of Russian Roulette. The stakes are high, but the payout is more than he can resist. His only collateral is his life and however long his luck can hold. Are his odds any better than any other player in this most deadly game?In a young Republic of China, where greedy warlords fuel a period of war and strife, Hou Jie (Andy Lau) arrogantly shows no mercy to his enemies seeking refuge with the benign and compassionate Shaolin monks. After unscrupulously killing a wounded ! enemy, Hou Jie pays a terrible price for his actions and is fo! rced to seek refuge in the same Shaolin Monastery he blatantly disrespected. Hou Jie s traitorous second-in-command Cao Man (Nicholas Tse) continues where the once-warlord left off, betraying his country and his own people. Hou Jie must adapt to Shaolin principles to stop the monster he created.

Bonus Features
English Dub
Deleted Scenes
US Trailers
International TrailersBased loosely on the 1982 martial arts epic Shaolin Temple, which helped to mint Jet Li as a star, this Hong Kong blockbuster from Benny Chan stars Andy Lau as a battle-weary warlord who finds refuge and then solace among the monks of a Shaolin temple. Set during the tumult of early Republican China, the story unfolds as Lau's warlord usurps his rivals, but at the cost of his daughter's life and his wife's loyalty. His spirit crushed, he decides to atone for his violent past by joining a Shaolin order (which counts Jackie Chan, in a glorified cameo, as its cook). Lau's path to enlightenment is ca! st into doubt when he discovers that his former second-in-command (Nicholas Tse, in an enjoyably overripe performance) has enslaved the local population and forced them to unearth relics in order to pay for greater weapons. Things naturally come to a head between Lau and Tse, but the film is less concerned with sprawling martial arts battles than the emotional conflicts between and within its major players. Honor, familial loyalty, remorse, and pursuit of spiritual wholeness are cornerstones of Hong Kong action films, but the depth of the performances and screenplay (by Alan Yuen) lends rich nuances to the subjects, often at the expense of adding an extra fight scene to the picture. That's perhaps a good thing, as martial arts choreographer Corey Yuen's usual pyrotechnics are hobbled somewhat by his leads, who are fine actors but only modest fighters, leaving the firepower to wushu champion Wu Jing as a Shaolin elder. Chan's formidable talents are used to underscore his com! ic contributions to the film, and as such, are only mildly ent! ertainin g. That's also how most martial arts fans will view Shaolin, though those who value theme as well as action may find it a frequently thoughtful diversion. The Blu-ray collector's edition features a gallery of deleted scenes (mostly extended versions of scenes in the theatrical cut) and trailers, as well as a pair of by-the-books featurettes on the film's production. Slightly more interesting are a handful of interviews with the principals, which touch on the picture's historical basis and the '82 Li film, among other subjects. --Paul GaitaYou think your childhood was rough? Check out the opening 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "Barbarian" part of the name. The film gets off to a ripping start, including li'l Conan's lethal dispatching of a crowd of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great ! deal of hoo-hah about the forging of swords. As the character grows into manhood, played by Jason Momoa (Game of Thrones), the cascade of brutality continues: boiling oil, nose trauma, death by metal fingernails--you name it, the movie has it. The "origin story" plot is a workable way into the world of pulp writer Robert E. Howard's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursues power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan is all spooky as Khalar's daughter (she's got the fingernails) and Rachel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech hardware for this relentless action picture, pumping up every sound with a digital whammy that might make your head feel it has been split in two by Conan's mighty sword (that is, if you didn't a! lready feel that from the chaotic cutting--since the movie was! origina lly released in uninspired 3-D, this visual unpleasantness was enhanced in theaters). The movie's not a complete bust, but it is a fairly punishing experience. As for Momoa, he's got the pectorals, and generally comes across as a likable sort. Of course, Conan isn't supposed to be a likable sort, so his casting will likely trigger an unexpected response in viewers familiar with the 1982 version of the character. You will miss Arnold Schwarzenegger. --Robert HortonWhat happens when a man with everything a beautiful wife (Nicole Kidman), a teenage daughter (Liana Liberato) and a wealthy estate is confronted with the reality of losing it all? That is what Kyle Miller (Nicolas Cage) must come to terms with as he and his family become the victims of a vicious home invasion. Led by Elias (Ben Mendelsohn) and Jonah (Cam Gigandet), a gang of cold-blooded thugs holds Kyle and his loved ones hostage as they carry out their plans to take everything that Kyle holds dear, includin! g his life.Kyle and Sarah Miller (Nicolas Cage and Nicole Kidman) are minding their own business, enjoying the fruits of his lavish success as a diamond salesman. Well, maybe not "enjoying"--there are hints this marriage isn't exactly fulfilling either spouse. Out of the blue, a gang of jewel thieves arrive to take the couple hostage, find the loot, and threaten their teenage daughter (Liana Liberato) in the bargain. And with that setup, Trespass is off and running for 90 minutes of pretty-near nonstop crazy-time, as the thieves begin to unravel and motor-mouth Kyle tries to talk them out of whatever latest strategy they attempt. When you learn that the film is directed by Joel (Batman & Robin) Schumacher, you may assume that the tone will be lurid, and it is. But darned if Schumacher doesn't manage to make a guilty-pleasure sort of experience out of the hothouse dialogue and rampant overplaying; if this movie had been produced on a low budget with unknown act! ors, it would probably be hailed as a B-movie sleeper. Cage ov! erdoes t he nerd factor, but Kidman manages to find some eerie moments (and cinematographer Andrzej Bartkowiak sure knows how to photograph her). Adding value is the chief hostage-taker, Ben Mendelsohn, whose sinister performance in Animal Planet marked him as a villain to watch; here, he memorably tries to keep it together as he juggles his fragile brother (Cam Gigandet), a trigger-happy henchman (Dash Mihok), and a strung-out girlfriend (Jordana Spiro). For the record, the absurd plot turns are almost impossible to defend, but the movie hurtles along so insanely you may not have time to care. --Robert HortonTear into the origins of the legendary tournament that pits the world's greatest warriors against the forces of Outworld in the fight to save our planet. Discover never-before-revelead storylines that deepen the mythology of the Mortal Kombat multiverse and the backstories of your favorite characters, including Jax, Sonya, Scorpion, Sub-Zero, Raiden, Johnny Cage, ! and more! This is kombat taken to a whole new level, more gritty and raw than anything you've ever seen before. FIGHT!Inspired by the everlasting emotions expressed in Japanese Bunraku doll theatre, Dolls weaves three stories delicately intertwined by the beauty of sadness. Bound by a long red cord, a young couple wanders in search of something they have tragically forgotten. An aging yakuza mysteriously returns to the park where he used to meet his long-past girlfriend. A disfigured pop star confronts the phenomenal devotion of her biggest fanDolls is a film of extraordinary beauty and tenderness from a filmmaker chiefly associated with grave mayhem and deadpan humor. That is to say, this is not one more Takeshi Kitano movie focused on stoical cops or gangsters. The title refers most directly, but not exclusively, to the theatrical tradition of Bunraku, enacted by half-life-size dolls and their visible but shrouded onstage manipulators. Such a performance--a dr! ama of doomed lovers--occupies the first five minutes of the f! ilm, str iking a keynote that resonates as flesh-and-blood characters take up the action.

The film-proper is dominated by the all-but-wordless odyssey of a susceptible yuppie and the jilted fiancée driven mad by his desertion to marry the boss's daughter. Bound by a blood-red cord, they move hypnotically through a landscape variously urban and natural, stylized only by the breathtaking purity of light, angle, color, and formal movement imposed by Kitano's compositional eye and rigorous, fragmentary editing. Along the way we also pick up the story of an elderly gangster, haunted by memories of the lover he deserted three decades earlier and generations of "brothers" for whose deaths he was, in the accepted order of things, responsible. Another strand is added to the imagistic weave via a doll-like pop singer and a groupie blinded by devotion to her.

This is a film in which character, morality, metaphysics, and destiny are all expressed through visual rhyme and startling adjus! tments of perspective. It sounds abstract--and it is--but it's also heartbreaking and thrilling to behold. Kitano isn't in it, but as an artist he's all over it. His finest film, and for all its exoticism, his most accessible. --Richard T. Jameson

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Homeward Bound - The Incredible Journey

• The adventure begins when the loving owners of these irresistible pets are forced to leave them in the temporary care of a friend who lives hundreds of miles away. But after several days, the worried animals begin to think their family must be in trouble, so they decide to head for home. On their incredible journey across the ruggedly beautiful Sierras, they encounter unexpected surprises from man

BOUND - DVD MovieDestined for cult status, this provocative thriller offers a grab bag of genres (gangster movie, comedy, sexy romance, crime caper) and tops it all off with steamy passion between lesbian ex-con Corky (Gina Gershon) and a not-so-ditzy gun moll named Violet (Jennifer Tilly), who meets Corky and immediately tires of her mobster boyfriend (Joe Pantoliano). Desperate to break away from the Mob's influence and live happily ever after, the daring dames hatch a plot to steal $2 million of ! Mafia money. Their scheme runs into a series of escalating complications, until their very survival depends on split-second timing and criminal ingenuity. Simultaneously violent, funny, and suspenseful, Bound is sure to test your tolerance for bloodshed, but the film is crafted with such undeniable skill that several critics (including Roger Ebert) placed it on their top-ten lists for 1996. --Jeff Shannon Destined for cult status, this provocative thriller offers a grab bag of genres (gangster movie, comedy, sexy romance, crime caper) and tops it all off with steamy passion between lesbian ex-con Corky (Gina Gershon) and a not-so-ditzy gun moll named Violet (Jennifer Tilly), who meets Corky and immediately tires of her mobster boyfriend (Joe Pantoliano). Desperate to break away from the Mob's influence and live happily ever after, the daring dames hatch a plot to steal $2 million of Mafia money. Their scheme runs into a series of escalating complications, unti! l their very survival depends on split-second timing and crimi! nal inge nuity. Simultaneously violent, funny, and suspenseful, Bound is sure to test your tolerance for bloodshed, but the film is crafted with such undeniable skill that several critics (including Roger Ebert) placed it on their top-ten lists for 1996. --Jeff Shannon

Antonya Nelson is known for her razor-sharp depictions of contemporary family life in all of its sometimes sad, sometimes hilarious complexity. Her latest novel has roots in her own youth in Wichita, in the neighborhood stalked by the serial killer known as BTK (Bind, Torture, and Kill). A story of wayward love and lost memory, of public and private lives twisting out of control, Bound is Nelson's most accomplished and emotionally riveting work.

Catherine and Oliver, young wife and older entrepreneurial husband, are negotiating their difference in age and a plethora of well-concealed secrets. Oliver, now in his sixties, is a serial adulterer and has just fallen giddily in love yet ! again. Catherine, seemingly placid and content, has ghosts of a past she scarcely remembers. When Catherine's long-forgotten high school friend dies and leaves Catherine the guardian of her teenage daughter, that past comes rushing back. As Oliver manages his new love, and Catherine her new charge and darker past, local news reports turn up the volume on a serial killer who has reappeared after years of quiet.

In a time of hauntings and new revelations, Nelson's characters grapple with their public and private obligations, continually choosing between the suppression or indulgence of wild desires. Which way they turn, and what balance they find, may only be determined by those who love them most.

France released, Blu-Ray/Region A/B/C : it WILL NOT play on regular DVD player. You need Blu-Ray DVD player to view this Blu-Ray DVD: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby DTS-HD Master Audio ), French ( Dolby Digital 2.0 ), French ( Dolby DTS! -HD Master Audio ), French ( Subtitles ), WIDESCREEN (2.35:1),! SPECIAL FEATURES: Cast/Crew Interview(s), Commentary, Featurette, Filmographies, Interactive Menu, Scene Access, SYNOPSIS: Corky, a tough female ex con and her lover Violet concoct a scheme to steal millions of stashed mob money and pin the blame on Violet's crooked boyfriend Caeser. SCREENED/AWARDED AT: Fantasporto Awards, Stockholm Film Festival, ...Bound ( The Business )

Brought to New England and bound into servitude to pay her father's debts, Alice Cole, at fifteen, can barely remember the time when she was not a servant to John Morton. His daughter, Nabbyâ€"only three years older than Aliceâ€"begins as Alice's childhood companion, but when Nabby weds, she becomes Alice's mistress. But the marriage is not what it appears, and Alice, endangered by its storm, defies her new master and the law, and escapes to Boston. Impulsively stowing away on a ship to Satucket on Cape Cod, Alice believes that she has left her old life and her secrets behind. Yet in a time of unrest and unce! rtainty, as political and personal stakes rise and intertwine, she discovers that freedom, friendship, trust, and love each have a price far greater than she ever imagined.

Destined for cult status, this provocative thriller offers a grab bag of genres (gangster movie, comedy, sexy romance, crime caper) and tops it all off with steamy passion between lesbian ex-con Corky (Gina Gershon) and a not-so-ditzy gun moll named Violet (Jennifer Tilly), who meets Corky and immediately tires of her mobster boyfriend (Joe Pantoliano). Desperate to break away from the Mob's influence and live happily ever after, the daring dames hatch a plot to steal $2 million of Mafia money. Their scheme runs into a series of escalating complications, until their very survival depends on split-second timing and criminal ingenuity. Simultaneously violent, funny, and suspenseful, Bound is sure to test your tolerance for bloodshed, but the film is crafted with such undeniable skill that severa! l critics (including Roger Ebert) placed it on their top-ten l! ists for 1996. --Jeff Shannon

Alice Cole spent her first seven years living in two smoky, crowded rooms in London with her family. But a new home and a better life waited in the colonies, or so her father promisedâ€"a bright dream that turned to ashes when her brothers and mother took ill and died during the arduous voyage. Arriving in New England unable to meet the added expenses incurred by their misfortunes at sea, her father bound Alice into servitude to pay his debts.

By the age of fifteen, Alice can barely remember the time when she was not a servant to John Morton and his daughter, Nabby. Though work fills her days, life with the Mortons is pleasant; Mr. Morton calls Alice his "sweet, good girl," and Nabby, only three years older, is her friend, companion, and now newly married, her mistress.

But Nabby's marriage is not happy, and soon Alice is caught up in its storm; seeing nothing ahead but her own destruction, she defies her new master and the law and! runs away to Boston. There she meets a sympathetic widow named Lyddie Berry and her lawyer companion, Eben Freeman. Frightened and alone, Alice impulsively stows away on their ship to Satucket on Cape Cod, where the Widow Berry offers Alice a bed and a job making cloth in support of the new boycott of British wool and linen.

At Widow Berry's, Alice believes her old secret is safe, until it becomes threatened by a new one. As the days pass, the political and the personal stakes rise and intertwine, ultimately setting off a chain of events that will force Alice to question all she thought she knew. Bound by law, society, and her own heart, Alice soon discovers that freedomâ€"as well as gratitude, friendship, trust, and loveâ€"has a price far higher than any she ever imagined.

Library Journal hailed Sally Gunning's previous novel, The Widow's War, as "historical fiction at its best." With Bound, this wonderfully talented writer returns to pre-! Revolutionary New England and evokes a long-ago time filled wi! th uncer tainty, hardship, and promise.

Alice Cole spent her first seven years living in two smoky, crowded rooms in London with her family. But a new home and a better life waited in the colonies, or so her father promisedâ€"a bright dream that turned to ashes when her brothers and mother took ill and died during the arduous voyage. Arriving in New England unable to meet the added expenses incurred by their misfortunes at sea, her father bound Alice into servitude to pay his debts.

By the age of fifteen, Alice can barely remember the time when she was not a servant to John Morton and his daughter, Nabby. Though work fills her days, life with the Mortons is pleasant; Mr. Morton calls Alice his "sweet, good girl," and Nabby, only three years older, is her friend, companion, and now newly married, her mistress.

But Nabby's marriage is not happy, and soon Alice is caught up in its storm; seeing nothing ahead but her own destruction, she defies her new master and the la! w and runs away to Boston. There she meets a sympathetic widow named Lyddie Berry and her lawyer companion, Eben Freeman. Frightened and alone, Alice impulsively stows away on their ship to Satucket on Cape Cod, where the Widow Berry offers Alice a bed and a job making cloth in support of the new boycott of British wool and linen.

At Widow Berry's, Alice believes her old secret is safe, until it becomes threatened by a new one. As the days pass, the political and the personal stakes rise and intertwine, ultimately setting off a chain of events that will force Alice to question all she thought she knew. Bound by law, society, and her own heart, Alice soon discovers that freedomâ€"as well as gratitude, friendship, trust, and loveâ€"has a price far higher than any she ever imagined.

Library Journal hailed Sally Gunning's previous novel, The Widow's War, as "historical fiction at its best." With Bound, this wonderfully talented writer returns to! pre-Revolutionary New England and evokes a long-ago time fill! ed with uncertainty, hardship, and promise.

[Siren Menage Everlasting: Erotic Fantasy Menage a Trois Romance, M/F/M, BDSM, spanking] Megan Starke has never been special to anyone. With an unrewarding job and a failed marriage, no one would confuse her life with a fairy tale. So when she is kidnapped and taken to a magical world to be the grand prize in a fierce and bloody tournament, she isn't sure if she is in a dream or a nightmare. Beckett Finn was supposed to be Prince Charming. He and his brother, Cian, were to inherit the throne of the Seelie Fae and rule over a fantasy kingdom. But the thrust of a traitor's blade stole that future. Now the brothers are fading, cursed by their royal blood unless they find a mate who can restore them. When Beck sees Meg, her body calls to him and he knows she is the key to their salvation. Bound by passion and fate, it's time for Meg to find her happily ever after. ** A Siren Erotic RomanceBETTER THAN CHOCOLATE - DVD MovieMany lesbian movies! are long on charm and short on production values; Better Than Chocolate has a solid dose of both and steamy sex scenes to boot. Our heroine Maggie (Karyn Dwyer), a clerk at a lesbian bookstore, meets footloose butch Kim (Christina Cox) and, after Kim's van is towed away, they move in together. Unfortunately for their romantic bliss, Maggie's mother, Lila (Wendy Crewson), and teenage brother move in that very evening thanks to Lila's impending divorce. But what really complicates matters is that Maggie can't bring herself to come out to her mother; even when she tries, Lila steamrolls through the conversation, like she knows what's coming and doesn't want to hear it. Interwoven with this is the struggle of Judy (Peter Outerbridge), a male-to-female transsexual who's in love with the bookstore's owner, Frances (Ann-Marie MacDonald), who's freaking out because customs officers are holding a list of books at the border that they claim are obscene. The overlapping plots! are deftly juggled, the personal and political are compelling! ly inter woven, and, most satisfying of all, the characters have problems that aren't going to be easily resolved. A handful of candy-colored lip-synching musical numbers give the movie some flash and the sex scenes give the movie some heat, but it's the elements of sorrow and ambiguity that really make the joy in Better Than Chocolate something to savor. --Bret FetzerThis thrilling and thoroughly captivating theatrical hit from Disney has become an instant favorite with audiences of all ages. You'll lose your heart to Chance, a fun-loving American bulldog pup; Sassy, a hilarious Himalayan cat who lives up to her name; and Shadow, a wise old golden retriever -- all of whom express themselves with very familiar human voices! The adventure begins when the loving owners of these irresistible pets are forced to leave them in the temporary care of a friend who lives hundreds of miles away. But after several days, the worried animals begin to think their family must be in tr! ouble, so they decide to head for home. On their incredible journey across the ruggedly beautiful Sierras, they encounter unexpected surprises from man, beast, and nature alike. It's an unforgettable story of love, courage, and devotion that will delight and inspire generations to come!Walt Disney studios had previously adapted Sheila Burnford's classic animal-adventure novel The Incredible Journey in 1963, and the story proves just as durable in this popular 1993 version, in which the heroic trio of animals are given voices provided by Don Ameche, Michael J. Fox, and Sally Field. They don't actually speak (like the clever critters in Babe), but we hear their "voices" as the lost household pets--Shadow the golden retriever, Chance the bulldog, and Sassy the cat--survive a harrowing series of adventures as they struggle to find their way home. Perfect entertainment for kids, this frequently clever movie offers an abundance of wildlife and beautiful location sc! enery, and the vocal performances by Ameche, Fox, and Field ar! e surpri singly effective. A hit with parents and children alike, the film was followed by a sequel in 1996. --Jeff Shannon

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The Motel

• Puberty sucks, and nobody knows it better than 13-year-old Ernest Chin (Jeffrey Chyau). As he watches guests come and go, Ernest finds himself forever stuck at his family's hourly-rate motel, where he divides his time between taking orders from his overbearing mom, cleaning up after whatever miscreants the motel may attract and longing for the girl of his dreams, 15-year-old Christine (Samanth

A group of over-achieving Asian-American high school seniors engage in some extra curricular crime.
Genre: Feature Film-Drama
Rating: R
Release Date: 1-MAR-2004
Media Type: DVDJustin Lin's well-received 2002 independent feature, Better Luck Tomorrow, is a strangely appealing story of the mysterious, somehow inexorable drift of an ultra-conscientious, Southern California high school senior, Ben (Parry Shen), toward a fateful interlude with crime. Though high! ly focused on impressing colleges with his thoughtful balance of excellent grades, energized volunteer work (as a translator), and varsity sports (warming the bench during basketball games), something about Ben appears to be unraveling. Perhaps it is an attraction to his out-of-reach lab partner (Karin Anna Cheung), or his growing attachment to hard cash, or simply the malaise that coats his every act of self-denial. In any case, he and a brood of fellow Asian American overachievers metamorphose into the local go-to gang of black-market thievery--all while keeping up their classes. Lin brings a fresh angle to the exhausted youth-crime genre, and clarifies, with no small wisdom, the distinction between building a future and living one's destiny. --Tom KeoghStudio: Paramount Home Video Release Date: 07/14/2009 Rating: RJustin Lin's well-received 2002 independent feature, Better Luck Tomorrow, is a strangely appealing story of the mysterious, somehow inexorable! drift of an ultra-conscientious, Southern California high sch! ool seni or, Ben (Parry Shen), toward a fateful interlude with crime. Though highly focused on impressing colleges with his thoughtful balance of excellent grades, energized volunteer work (as a translator), and varsity sports (warming the bench during basketball games), something about Ben appears to be unraveling. Perhaps it is an attraction to his out-of-reach lab partner (Karin Anna Cheung), or his growing attachment to hard cash, or simply the malaise that coats his every act of self-denial. In any case, he and a brood of fellow Asian American overachievers metamorphose into the local go-to gang of black-market thievery--all while keeping up their classes. Lin brings a fresh angle to the exhausted youth-crime genre, and clarifies, with no small wisdom, the distinction between building a future and living one's destiny. --Tom KeoghJustin Lin's well-received 2002 independent feature, Better Luck Tomorrow, is a strangely appealing story of the mysterious, somehow inex! orable drift of an ultra-conscientious, Southern California high school senior, Ben (Parry Shen), toward a fateful interlude with crime. Though highly focused on impressing colleges with his thoughtful balance of excellent grades, energized volunteer work (as a translator), and varsity sports (warming the bench during basketball games), something about Ben appears to be unraveling. Perhaps it is an attraction to his out-of-reach lab partner (Karin Anna Cheung), or his growing attachment to hard cash, or simply the malaise that coats his every act of self-denial. In any case, he and a brood of fellow Asian American overachievers metamorphose into the local go-to gang of black-market thievery--all while keeping up their classes. Lin brings a fresh angle to the exhausted youth-crime genre, and clarifies, with no small wisdom, the distinction between building a future and living one's destiny. --Tom KeoghAn award-winning English language film for the whole family, "the D! ebut" revolves around Ben Mercado (Dante Basco), a talented hi! gh schoo l senior who has rejected his Filipino heritage. The long-simmering feud between Ben and his immigrant father Roland (Tirso Cruz III) threatens to boil over and ruin the 18th birthday party of Ben's sister Rose (Bernadette Balagtas). But to Ben's surprise, his sister's celebration challenges his sense of misplaced identity, and the way he regards his father and grandfather (Filipino film legend Eddie Garcia). In one night, Ben faces the true nature of his relationships with his family, his friends, and himself.

Filipino-American high school student Ben (Dante Mercado) works in a comic book shop to earn money to pay his way into Cal Arts. His father, a postman, is determined that his son--who has won a pre-med scholarship to UCLA--will become a doctor. The eighteenth birthday party of Ben's sister, Rose, sets off a comedic and touching series of events and family struggles that will in turn determine young Ben's future. This fresh independent production from Gene Cajayon ! presents a lighthearted and warm coming-of-age tale filtered through the eyes of an American subculture rarely seen on film.Puberty sucks, and nobody knows it better than 13-year-old Ernest Chin (Jeffrey Chyau). As he watches guests come and go, Ernest finds himself forever stuck at his family's hourly-rate motel, where he divides his time between taking orders from his overbearing mom, cleaning up after whatever miscreants the motel may attract and longing for the girl of his dreams, 15-year-old Christine (Samantha Futerman, MEMOIRS OF A GEISHA). When charismatic Sam Kim (Sung Kang, PEARL HARBOR, BETTER LUCK TOMORROW, THE FAST AND THE FURIOUS: TOKYO DRIFT) checks into the motel, fatherless Ernest is taken under his wing and hustled toward manhood, for better or worse. THE MOTEL is an honest portrait of adolescence as heartfelt and authentic as it is hilarious.Winner of the Humanitas Prize at Sundance 2005, The Motel is a charming feature debut by writer/director Mic! hael Kang. Between Kang and producer Gina Kwon (Me and You ! and Ever yone We Know), this chronicle of adolescent sexual exploration shares the clean, contemporary look of Miranda July's film, and also Dayton/Faris's recent release, Little Miss Sunshine. Interestingly, all three examinations of humanity's awkwardness star nerdy, charismatic children. Punctuated by spare dialogue, The Motel follows Ernest (Jeffrey Chyau), a thirteen year-old Chinese American boy whose family runs a roach motel primarily visited by prostitutes and druggies. Ernest's mother and grandfather strictly enforce their depressing traditional family work ethic, squashing Ernest's hopes of winning a writing contest that he has secretly entered, for example. As Ernest cleans scummy rooms, he discovers porno magazines and other evidence of raunchy sexual escapades. Intrigued but shy about his sexual prospects, Ernest casually enlists his semi-girlfriend, Christine (Samantha Futerman) to explore magazine images with him. Funny, touching scenes of Ernest wit! h his little sister's stuffed toy bunny, to name one, remind the viewer of that curious age when sex is mysterious but tangible. When renegade adult, Sam Kim (Sung Kang), moves into the motel to drink and cavort with women, Ernest befriends him and takes tips. Eventually Ernest realizes that he's a gentleman as he begins to understand the subtleties of love. In this film marked by sincerity, one can't help but think of the protagonist's name metaphorically. --Trinie Dalton

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Happiness: A Guide to Developing Life's Most Important Skill

• ISBN13: 9780316167253
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A molecular biologist turned Buddhist monk, described by scientists as "the happiest man alive," demonstrates how to develop the inner conditions for true happiness.

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Carlito's Way [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen

Academy Award winner Al Pacino stars as an ex-druglord fighting to escape his violent, treacherous past in this action-filled tour de force from acclaimed director Brian De Palma. Sprung from prison on a legal technicality by his cocaine-addled attorney (Sean Penn), former drug kingpin Carlito Brigante (Pacino) stuns the local underworld by vowing to go straight. Dedicated to making a change, he reunites with his former girlfriend (Penelope Ann Miller) and rekindles their romance. But his dream of a legitimate life is undermined at every turn by ruthless former associates and even deadlier young thugs like Benny Blanco (John Leguizamo), who are out to make a name for themselves. Despite good intentions, Carlito's misguided loyalties and outmoded code of "honor" plunge him into a savage life-or! -death battle against the relentless forces that refuse to let him go in this powerful crime saga. Starring: Al Pacino, Sean Penn, Penelope Ann Miller, Luis Guzman, Viggo Mortensen, John Leguizamo, James Rebhorn, Joseph Siravo, Ingrid Rogers, Adrian Pasdar Directed by: Brian De PalmaAl Pacino cuts a noble figure in this very enjoyable drama by director Brian De Palma (Scarface), based on a pair of books by Edwin Torres. Pacino plays a Puerto Rican ex-con trying hard to go straight, but his loyalty to his lowlife attorney (a virtually unrecognizable Sean Penn) and enemies on the street make that choice difficult. Penelope Ann Miller plays, somewhat unlikely, a stripper who has a romance with Pacino's character. The film finds De Palma tempering his more outlandish moves (think of Body Double or Snake Eyes) just as he did with the popular Untouchables and Mission: Impossible. But while Carlito's Way was not commercially successful an! d never rises to the level of greatness, it is a genuinely com! pelling movie graced with a fine performance by Pacino and a surprising one from Penn. --Tom KeoghFrom the director of Scarface comes the critically acclaimed crime thriller Carlito’s Way. Oscar® winner Al Pacino gives an electrifying performance as former drug kingpin Carlito Brigante, who is sprung from prison by his high-powered attorney (Academy Award® winner Sean Penn). He stuns the New York underworld by vowing to go straight from a history of violence, but his plans are undermined by misguided loyalties and an outmoded code of honor. In a life-or-death battle, Carlito takes on the relentless forces that refuse to let him go. Co-starring John Leguizamo and Luis Guzmán, Carlito’s Way is a powerful, action-packed ride all the way to its explosive conclusion.Al Pacino cuts a noble figure in this very enjoyable drama by director Brian De Palma (Scarface), based on a pair of books by Edwin Torres. Pacino plays a Puerto Rican ex-con trying hard to go straight, b! ut his loyalty to his lowlife attorney (a virtually unrecognizable Sean Penn) and enemies on the street make that choice difficult. Penelope Ann Miller plays, somewhat unlikely, a stripper who has a romance with Pacino's character. The film finds De Palma tempering his more outlandish moves (think of Body Double or Snake Eyes) just as he did with the popular Untouchables and Mission: Impossible. But while Carlito's Way was not commercially successful and never rises to the level of greatness, it is a genuinely compelling movie graced with a fine performance by Pacino and a surprising one from Penn. --Tom Keogh

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Chef Works F8 Butcher Apron, 34-Inch Length by 24-Inch Width, Hunter Green

• 65/35-Poly/cotton fabric with soil release finish
• Reinforced stress points. Adjustable neck closure
• Extra long finished ties. Center-divided patch pockets. 34-Inch length by 24-Inch width
• Available colors: white, black, red, royal blue, hunter green
• Machine wash with like colors, tumble try low

From four of today’s hottest fantasy authorsâ€"all-new novellas of dark nights, cruel cities, and paranormal P.I.s.

The best paranormal private investigators have been brought together in a single volumeâ€"and cases don’t come any harder than this.

New York Times bestselling author Jim Butcher delivers a hard-boiled tale in which Harry Dresden’s latest case may be his last.

Nightside dweller John Taylor is hired by a woman to find something she lostâ€"her memoryâ€"in a thrilling noir tale from New York Times bestselling ! author Simon R. Green.

National bestselling author Kat Richardson’s Greywalker finds herself in too deep when a “simple job” goes bad and Harper Blaine is enmeshed in a tangle of dark secrets and revenge from beyond the grave.

For centuries, the being that we know as Noah lived among us. Now he is dead, and fallen-angel-turned-detective Remy Chandler has been hired to find out who killed him in a whodunit by national bestselling author Thomas E. Sniegoski.From Academy Award-winning director Anders Thomas Jensen and in the vein of "Delicatessen" and "Eating Raoul," "The Green Butchers" brings you the dynamic duo of Bjarne and Svend, two pals who decide to open their own butcher shop. Grappling with a competitive market and an evil ex-boss, the two come up with a special dish that suddenly has everyone flocking to their counter and dying for more. As business heats up however, so does the competition and suddenly everyone is asking about Bjarne and Svend! 's "special ingredients."

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